In its five years as one of Chicagoland’s longest existing music conferences, MOBfest (the “MOB” for “Music Over Business”) struck some major blows this year for genres that were not dominated by the Read More »
Back in the mid- to latter 1990s when Michael Franti had shed the angry-young-manliness of his Beatnigs and Disposable Heroes of Hiphoprisy periods, his politically charged, performance art mic-controlling of the more laidback Read More »